Tommy Kramer Coaching Tip #637: Why Your Station’s Formatics Matter

Many MusicRadio Program Directors who were too late for the Top 40 wars really don’t understand how proper formatics work – or even what they ARE.

Example: If you wait for that last LOGICAL moment to start the next song, then talk (or where the next element, like a “sweeper” or Imaging piece should hit), you…

(1) show respect for the music,
(2) have true Momentum, not just an “upbeat” pace (which is a different thing),
(3) and you won’t sound like some idiot who just talks anywhere you feel like.

Remember that there are only two elements to the listener on a music station: music, and “things that AREN’T Music.”

So, the choice of efficient formatics can make you come across as either an intrusion, or as a part OF the music. (Guess which one works better.)

The bottom line is that a station that seemingly has no respect for the music has no respect for the ear of the listener, either. That’s why streaming music services occupy space that radio used to own. Times and technology will change, but I would think that something like not jerking the listener around with loud sound effects chopping off the end of a song would probably always be a good thing to consider.

I mention this primarily because every P. D. should want his air talent to just be able sit in the pilot’s seat and cruise along, which is what solid formatics provide. When a talent feels confident by doing the right things, that person becomes easier to coach to a higher level.