Tommy Kramer Coaching Tip #540: Why “Happy Accidents” Happen

The great movie director Arthur Penn (Bonnie & Clyde, Little Big Man, The Missouri Breaks, etc.) often spoke of what he called ‘happy accidents’ occurring during the filming. Little movements or reactions or lines that weren’t in the script, but were magical.

I see the same thing in radio – breaks that just “appear” out of nowhere and crack people up.

An example comes from my friend Wally, of The Wally Show on WAY-FM. He sent me this break with a note saying, “It works because everyone played their role perfectly and organically. I set it up with a polarizing statement for our audience. Betty (his female partner) provides the correct balance for the listener, and then (Producer) Gavin knew when to subtly add something that led me to an ‘out’ that was pretty funny. None of it planned, just a show firing on all the right cylinders.”
Here it is:

Then, with a different style, a break from Morgan Smith, afternoon personality on KSBJ in Houston. (*Salute to PD Randy Fox, who really gets this stuff):

Each of these just sort of “popped up”, but I think there’s a reason WHY:

When you get fully used to preparing breaks well, some breaks will just prepare themselves.

I’ve found that the more you prep well, the more “happy accidents” seem to happen. Shows that “wing it” more are usually sort of “hit and miss”.

It always pays to be good at constructing breaks. The improv moments “land” better as a result.

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Tommy Kramer
Talent Coach
214-632-3090 (mobile)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2023 by Tommy Kramer. All rights reserved.

Tommy Kramer Coaching Tip #529: You Have Ten Seconds

You have ten seconds to “get” me…to make me want to listen to whatever else you have to say.

If you don’t get me in that ten seconds, then nothing else you do matters. It’s simply human nature to decide quickly whether or not something is a waste of time.

So think about what that opening ten seconds of whatever it is you’re going to talk about is going to be BEFORE you open the mic. No matter how good you are, this is something you can improve.

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Tommy Kramer
Talent Coach
214-632-3090 (mobile)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2023 by Tommy Kramer. All rights reserved.

Tommy Kramer Coaching Tip #505: Show Prep Starts at Home

By far, the thing I get asked about the most in coaching sessions is Show Prep.

First of all, if you use a “prep sheet” service, throw it away. Generic subject matter, getting generic (if any) response is fool’s gold. And unfortunately, it’s rampant. People sitting at the computer trying to choose a subject and somehow “make it matter” is lame and boring.

Here’s what I advise: Show Prep starts at home. Begin with what’s right around you, in your living room, that you share with the Listener. Then spread out from there.

It’s almost comically simple, yet I see people straining for suitable Content every day. Stop “reaching” for things. If you talk about something that I, as a listener, actually CARE about, you’ll do fine. If it’s generic, YOU’RE generic.

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Tommy Kramer
Talent Coach
214-632-3090 (mobile)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2023 by Tommy Kramer. All rights reserved.

Tommy Kramer Coaching Tip #395: When to Plan the Next Break

Shows that “fly by the seat of their pants” inevitably sound loose and have ‘dead’ time that needn’t be there.

Now, some 355 stations into this talent coaching stuff, one thing has become abundantly clear to me: people need to plan, not just “wing it”.

Here’s the easiest way to get a simple system in place…

Right after you finish a break, lay out the NEXT break. If you’re in a team show, it’s doubly important. A quick run-through (“Okay, next we’ll do the rodeo thing; I’ll start. Remember your line that we’re going to get out on…”). Now, with that done, you now have several minutes to relax, chat, etc.

The old saying is “if you fail to plan, your plan is to fail,” and by and large, it’s true.

Note: This does NOT kill spontaneity; it just kills uncertainty. And sounding SURE is what creates the “command presence” that all great air talents have.

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Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2020 by Tommy Kramer. All rights reserved.

Tommy Kramer Coaching Tip #275 — You’ll Use Everything You’ve Ever Known – IF…

There’s a famous story that David Letterman tells about Johnny Carson. One night on The Tonight Show, fairly early in his career, the young Letterman was a guest. And he and Carson got on one of those rolls where everything each of them said was funnier than the last thing. The audience was in stitches laughing at each line, and finally Carson broke into the “patter” he had used as a magician when he was young – the absurdity of which resulted in uproarious laughter that led perfectly into a commercial break.

During the break, with the set darkened, Carson, who was a mentor to Dave, leaned over and said, “You’ll use everything you’ve ever known.”

Truly great air talents know this, and it’s a really interesting parameter to work on as a coach. But the key is IF you can figure out exactly what the “fuse” is to light that “nugget” up. Often, I see air talents with a good concept, but no idea of how it might work. Using something just because you have that bullet in the chamber doesn’t mean that you can just fire it indiscriminately.

Think “What would facilitate this?” Because it has to make sense in the flow of the conversation, or it’ll sound awkward.

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Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2018 by Tommy Kramer. All rights reserved.

Tommy Kramer Coaching Tip #269 – The Assembly Line Mentality: A Voice-Tracking Tip

No doubt about it, voice-tracking isn’t going away anytime soon. But it sure makes people lazy. However, there’s no reason why a voice-tracked MusicRadio show can’t sound like it’s live.

But what happens often is that a jock sits down and thinks “I’ve got to fill 28 breaks” (or whatever the number is), and plows through them as fast as possible.

So here’s a tried-and-true method for voice-tracking that makes it pretty easy to still do a viable show:

Step one is to lay out what you HAVE to do (promoting things, etc.) and slot those in. Separate them by half an hour or so, to avoid doing two “informational” breaks in a row.
Then, take a look at whatever Content you’ve brought to the table, and slot those breaks in. What you have to do first; what you WANT to do second.

Step two is vital – track ONE hour, then STOP and listen to that hour’s breaks, all in a row. If you spot a mistake that needs correcting, or a break where you weren’t at your best or just sort of “mailed it in”, recut them as needed. ONLY THEN should you move to the next hour of tracking.

This few minutes of Quality Control will perform a dual function. Not only will you make subpar breaks sparkle, and in some cases more concise (and therefore more digestible), but that little “rest stop” gives the right side of the brain a chance to “recharge” itself, so instead of going into the next hour running out of gas, you have a fresh burst of creative energy. It’s a “pit stop” to make you ready to WIN again.

Every single time you open the mic, you have a chance to connect with the listener, whether it’s just giving some information, or conveying the “presence” of your being right here beside me, listening to the song, too – or Entertaining me with some little quip or remark. If I (as a listener) think you’re just hammering out breaks with little or no caring behind them, that’s not going to draw me any closer to you…and that means you wasted opportunities to bond with me. That, my friend, would be a real shame.

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Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2018 by Tommy Kramer. All rights reserved.

Tommy Kramer Coaching Tip #265 – Prep Tip: The 3 Questions

Here’s one of my primary tips for show prep, The 3 Questions. If you’ve read my “5 Subjects” tip, you already know the five categories of Content that will ALWAYS work (besides the obvious “station things” that will always be in the mix, like promoting events or features, etc.). But “The 5 Subjects” should be filtered through these three questions before you put them on the air:

1. Why is it on? “Because it’ll be funny” is NOT the answer. “Because I want to talk about it” is a truly terrible answer. Be sure about this — something should be on because either {A} the listener already has it on her/his mind, or {B} because the listener NEEDS to know about it, but may not have heard about it yet. Yes, there are other things, things that “grow out of the show”, which is the 5th item in the “5 Subjects” tip, but let’s keep our eye on the things that make you relevant first.

2. Where am I going with it? If you’ve read any of my stuff before, you know this is all about your unique “camera angle” on a given subject, and that you want to have a unique “destination” for what you do, not just settle for a typical ending that ANYONE could do.

3. What does it mean to my listener, right here, today? This is partly about being local, of course – and great local beats great syndicated almost every time. However, I’ve also worked with many syndicated shows and networks, so in those cases, it’s impossible to be local. So the bottom line is that what you’ve DONE with that subject has to RESONATE with the listener. Simply “covering” something isn’t enough. You have to connect with the listener; there has to be substance to it – even if it’s funny. In a nutshell, it’s about creating “memorable moments” – because the show with the most memorable moments will inevitably win.

Give some thought to upgrading your prep if you haven’t considered these three questions. Because someone else will if you won’t.

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Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2018 by Tommy Kramer. All rights reserved.

Tommy Kramer Tip #141 – Brick-By-Brick

You construct a building brick-by-brick. If you don’t, it collapses.

You construct your show each day break-by-break. Or maybe that should read “You SHOULD construct it break-by-break,” because one of the weakest areas today is in putting a show together. General headings (“we’ll do something about the Super Bowl here”), things you just feel like talking about (whether the listener gives a cr*p or not), defaulting to quacking about a promotion or station event as some sort of failsafe device – these are, at best, incomplete thoughts. (And at worst, just lazy.)

It’s so easy to lay out a show:

1. First, list all the things you HAVE to do. (Contest, live spot, feature, guest, whatever.)

2. Then, list the things you WANT to do. (Remember that it has to matter to the listener already, or bring the listener up to date on something he/she needs to know, but may not have heard yet.)

3. Finally, when you start laying out what goes where, pay close attention to Balance. You don’t want two promotional breaks back-to-back, for instance. You don’t want to start something that might get some phone feedback, but not have anywhere to air the call(s).

When you build your show on a solid prep foundation, break-by-break, you automatically jump past everyone who doesn’t. Do it every day, and they’ll be calling Bekins soon to see if they have any boxes.

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Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2016 by Tommy Kramer. All rights reserved.

Tommy Kramer Tip #139 – Learn from Steven Wright

A couple of tips ago, I quoted several comedians to illustrate how ‘camera angles’ and vocabulary go hand-in-hand to shape memorable thoughts. One of them was Steven Wright. Here are just a few more examples of his brilliance:

• “I remember when the Candle Shop burned down. Everybody stood around singing ‘Happy Birthday.’”
• “If at first you don’t succeed…then skydiving definitely isn’t for you.”
• “Sponges grow in the ocean. This bothers me. How deep would it be if they didn’t?”
• “It doesn’t matter what temperature the room is. It’s always room temperature.”
• “My friend has a baby. I’m writing down all the noises the baby makes, so later I can ask him what he meant.”
• “I put instant coffee in a microwave oven and almost went back in time.”
• “What’s another word for thesaurus?

While it seems like funny thoughts just flow out of him like water, here’s what he says about his process: “For every four jokes I write, one is good enough to stay (in the act).”

So here are some questions for you:
Do you write four punch lines for every one you use?
If not, why not? Are you funnier than Steven Wright? (I know I’m not. Chances are you’re not, either.)
Is it because you’re lazy? Or is it because you think “That’s good enough”?
Because “good enough”…never is.

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Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2016 by Tommy Kramer. All rights reserved.

Tommy Kramer Tip #128 – The Space between Knowing and Doing

The space between KNOWING what to do and actually DOING it is the biggest space in the process. By isolating the purpose of each break—what this break is about, each time—you close the gap.

It’s never “Ready, Fire, Aim.” Unless you’re sure of how you’re starting, what the “plot points” are, and what the Destination of a break is, you’re playing Russian Roulette with that break, no matter how short or easy it may seem to be.

The time to do your thinking is BEFORE the mic opens. Then you just relax into the performance.

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Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2015 by Tommy Kramer. All rights reserved.