One of the major themes in science fiction is that as the technology gets better, the skills atrophy. That’s why you see those old monster movies where alien beings had giant brains, but machines and computers did all the work for them, since their arms and legs had gradually degenerated to being useless twigs.
On our own planet, in Music radio, we’re hearing more of this “the machines are taking over” factor all the time. In a music sweep, for example, a song’s ending is a chord that hangs for 3 or 4 seconds, but one-tenth of a second into that hang time, the next song slams in (or the antsy jock starts talking), abruptly cutting off both the previous song and the mood. Cue tones on music, Imaging, and commercials are often set to fire the next element too soon, so the last word obliterates the beginning of the next thing, or gets drowned out by it. Or a song will end with a fade, but instead of hitting the next element at the end of a sentence, where it would seamlessly appear, we hear an extra couple of words (“And…if…”), then BLAM!…next song. Woof. Clumsy.
When it doesn’t even sound like you’re engaged with what you’re doing, why should I be, as a listener? I constantly hear stations with live jocks that sound voice tracked because of their lackluster board work.
As a Talent Coach, I want to help everything you do, not just what you say. Try this exercise: run the board manually for a few days, only putting it in “auto” mode when you go into stopsets, and your board op skills will get razor sharp. An element of FEEL will enter the picture, and then the cue tones can be changed to match it. Slamming songs (or elements) together is careless and random sounding. But waiting too long to hit the next thing makes the momentum stall out. The right timing is somewhere in between. The right place to hit the next element in a sweep isn’t “at the last place” in the song you’re playing. It’s “at the last LOGICAL place.” Let that little artistic touch into your brain, and you’ll sound alert and in control—and like you’re actually listening to the music with me.
Then, when you open the mike to say something, maybe I’ll pay more attention to it, because something as simple as your board work drew me in a little closer to you.
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Member, Texas Radio Hall of Fame
© 2016 by Tommy Kramer. All rights reserved.