Tommy Kramer Coaching Tip #599: It All Starts with the Writing

In the last tip, I talked about the rhythm inherent in the best comedy, comparing it to how a great TV sitcom pauses, then reinvents itself over and over again. That’s really how everything works. I’m just rewatching the amazing series “The Newsroom”, written by the great Aaron Sorkin. He understands this rhythm as well as anyone I can think of who does drama. (I would say Neil Simon when it comes to comedy.)

Whenever you start a sentence without knowing how it’s going to end, you’re on the diving board about to jump into the pool without knowing if there’s water in it. Improv is not something most people can consistently depend on. Without at least some structure laid out, you’re taking a chance (especially in a team show). Thinking something “magic” will “just happen” describes every “almost, but not quite” show I’ve heard.

Composition – writing – matters. That’s why I aways planned the ending first. Sometimes I (or we, in my team shows) wouldn’t get to that ending, because a “First Exit” appeared that would have made anything else anticlimactic. Try this. Know where you’re going, and see if it doesn’t make things smoother and give you more clarity, mentally. The confidence you’ll gain can be felt on the air.

– – – – – – –
Tommy Kramer
Talent Coach
214-632-3090 (mobile)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2024 by Tommy Kramer. All rights reserved.

Tommy Kramer Coaching Tip #598: Real to Silly is Better than Silly to Real

The best Content is about real life situations, shared in little bursts. If you start with an unreal situation, there’s no emotional buy-in (unless you couch it as fantasy or exaggeration).

But going from Real to Silly is better than going from Silly to Real. (Knowing when to stop is the key to this – and I’ll share some thoughts about how to attain, or at least, sharpen this skill in a future tip.)

The last line in the opening scene of a TV sitcom is a good example. The great writers know this is almost always the first line that “kills” (meaning it worked exceptionally well). On the radio, it’s really hard to come up with another one that lives up to the first one that “ignited” itself in your brain. But I hear air talent trying to top themselves, come up with another GREAT one all the time. So here’s a little composition tip: the best rhythm is that things have to breathe a bit, then surprise you again. Hope this helps you!

– – – – – – –
Tommy Kramer
Talent Coach
214-632-3090 (mobile)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2024 by Tommy Kramer. All rights reserved.

Tommy Kramer Coaching Tip #597: The Setup Disease

“I want to tell you…” “I want to share with you…” “I want to let you know” = announcing that you will tell me something. Instead, Just TELL me. (An added benefit of this is that you take out the *I – me – my” factor.)

*(This is one of my main tenets – not starting a story with yourself. Start with the Subject first, or by referencing the Listener first in some way, THEN you add your part, or your ‘take’ on it. Less ego this way, and it sounds less “presentational”.)

Sometimes, this kind of mistake is on the other end of the Content. Example: You play a call, then recap what we just heard before giving us your take on it. There’s not always a need to do that. Consider just reacting to what we heard, instead.

I still refer to both of these things as the “setup disease,” but it might actually be better described as “over-qualifying things”.

This is just one more way to not sound like everyone else, and to put the Content and the Listener up front – just one of dozens and dozens of little linguistic and grammar usage things that I coach. The more we can “un-radio” the sound, the better. The ‘big picture’ goal is a “VISIT-driven” show.

– – – – – – –
Tommy Kramer
Talent Coach
214-632-3090 (mobile)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2024 by Tommy Kramer. All rights reserved.

Tommy Kramer Coaching Tip #596: Conquering “Liners”

We’ve all had to do it – read a station “liner” that just reads like old “newspaper ad” copy. Ugh.

But, since my job is to make you sound better in every way possible, here’s a tip on how to make those things come alive.

Think, “How would I tell a friend about this?” Take out all the words you would never actually say to a human being, and put in the words that you’d use. Yes, some “name” you have to get in or some “slogan” you have to read can take you out of that to a degree, but you have to make those sound natural, too. You wouldn’t tell your friend to go to a store without telling him or her the store’s name. So, just say it like that.

Informative when necessary, but more natural, is always the goal.

My friend Jeff Laurence (jefflaurence.com) is a great example of this. He can do “power” reads with the best of them, but his more natural stuff is legendary. I’ve written hundreds of pieces that Jeff has cut, and he’s always a joy to work with.

– – – – – – –
Tommy Kramer
Talent Coach
214-632-3090 (mobile)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2024 by Tommy Kramer. All rights reserved.