Tommy Kramer Tip #176 – Why You Shouldn’t Let Ratings Methodology Drive You Crazy

Ratings are important, obviously, but the “analytical” mindset can be crippling. Look at Sports, for instance. Baseball is talking about having computers “decide” whether a pitch is a ball or a strike, then relay the call through an ear bud to the home plate umpire, who will then repeat it.
The National Football League STILL can’t tell what a catch is – and pass interference is a complete mystery. NO ONE knows what it is. I’ve seen wide receivers practically clubbed to death, and nothing is called. But on other days, if you even tell a guy you don’t like his car, it’s a 15-yard penalty.

To me, obsessing over ratings, particularly weekly ratings, is rather insane.

By and large, you have to [1] play the right music, [2] have your service elements – News, Traffic, Weather – actually BE of service (not, say, a forecast recorded at 4am by a TV weather guy who cut it between teeth whitening treatments), and [3] have air talents who are the most engaging, the most relevant to my life, and/or the most entertaining. THEN I’ll listen. If you don’t, no weekly PPM measurement can help you, because you’ve substituted left-brain information for what is essentially a right-brain challenge.

Weekly ratings are a joke, like measuring your kid’s height every day. You need a little more time between measurements to get the full picture.

I’m not saying you shouldn’t care about ratings, but don’t let them take your eye off the ball.

Radio pioneer Gordon McClendon said, “Be Informative, Be Entertaining, or Be Quiet.” (But we all knew that “or be quiet” really meant “or you’ll be gone soon.”) Don’t WAIT for ratings methodology to tell you the obvious, or make you focus on things that won’t cure your problems. PROGRAM the station. Hire great people. Tell them the Strategy. And if they need it, get them some coaching help.

I can tell you if a station’s a Top 3 station in fifteen minutes of listening. Because something that happens on the air during that time will MATTER to me.

Work on that.

– – – – – – –
Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2016 by Tommy Kramer. All rights reserved.

Tommy Kramer Tip #175 – Is Your Show Actually FUN?

As more and more research flows in, one thing is clear: One of the main reasons people become fans of a show is “It’s fun!”

Now besides the fact that “fun” and “funny” are not the exact same thing, the takeaway should be making a really focused assessment of what you do each day, and holding your feet to the fire on whether or not it’s actually fun for the LISTENER, not just you.

An old friend contacted me last week to start working with his midday talent, but in the process of bringing each other up to speed on our lives, he mentioned that his morning show still does “The Impossible Question” trivia thing. He said, “It’s a lot of fun, and people really like it.”

Well…no, not really. Trivia – unless you really frame it in a way that’s fun – is not inherently fun or even interesting in itself. (Of all the contests you can do on the air, trivia tests the worst BY FAR. The reason is simple. It’s not 1972 anymore. With the 24/7 News cycle and the internet, trivia doesn’t pack much punch anymore. If I Google “trivia” – which I just did – 178 MILLION websites come up. So it’s certainly not unique or hard to find anymore. Plus, I can just ask Siri and have the answer in under 5 seconds.)

The Secret Sound? Well, okay, IF you do it right. A series of “No, that’s not right, but thanks for trying” breaks on the air burn a hole in the listener’s brain after a very short while.

That great thing you do where your little kid, who can barely talk, is on the air…is that fun? Are you sure?

So I guess what it boils down to is asking yourself, “Is this show actually fun?” Be honest. Tweak whatever needs it; throw away what can’t be improved.

The listener WILL find fun somewhere. You have to make yourself the best choice for that.

– – – – – – –
Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2016 by Tommy Kramer. All rights reserved.

Tommy Kramer Tip #172 – Learn from Mike Nichols, Part 3

In his last interview, the great director, actor, and comedian Mike Nichols really opened the door to what fueled his process.

I’ve talked about a couple of his concepts in the last two tips, but this one may be the most important one when it comes to understanding what really creates a distinguishable and memorable presence on the air:

Your show, like a movie or play, isn’t totally real life. It’s a VERSION of real life.
And your persona on the air isn’t totally you. It’s a VERSION of you.

Don’t really like an artist you play? I doubt if saying that on the air will endear you to the listener who adores that artist.

Reading something for the 50th time this week? Make it sound like you just thought of it, and you have a real INTEREST in it.

Can’t stand kids? Well, depending on the format, you may not want to reveal that fact.

My friend and partner John Frost talks about being “transparent” on the air, and I agree, with my version being “Crack your chest open and show us what’s in there.” BUT, I don’t believe in total transparency. Some things aren’t useful, or reveal a side of you that may work against trying to win over more listeners.

As I’ve taught this over the years, many times the reaction has been indignant, with something like, “But that’s not me.”

You do get that Tom Hanks isn’t really Forrest Gump, right? And he’s not the guy in Saving Private Ryan, either. It’s ACTING. However, each of those characters IS a version of him.

If you need help creating the most effective version of you, get it. Every athlete, every actor has a coach…for that very reason.

– – – – – – –
Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2016 by Tommy Kramer. All rights reserved.

Tommy Kramer Tip #171 – Learn from Mike Nichols, Part 2

Legendary film and theater director, actor, producer, and comedian Mike Nichols did an interview just before he passed away, sharing many of his unique perspectives on what makes people watch and listen to you.

One of them was this thought: There are only 3 scenes: Negotiations, Seductions, and Fights.

For radio purposes, Negotiations – with the listener or with a partner – work if they’re well done. Events, Contests, etc. need to be worth the listener’s time; that’s what we’re negotiating for.

Our “Seductions” aren’t about sexiness. Our “seduction” is about attracting the listener to you and making him or her want to come back again, or for more time, or more frequently.

And our Fights are really just situational banter. Unlike a play or movie, we may only have the audience for a few minutes. So while emotions play a huge part in pulling the listener one step closer, remember that we have to be “friends at the end”. Nobody goes to a party to see a guy fight with his wife.

If you want to learn more about this, well…just click or call.

– – – – – – –
Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2016 by Tommy Kramer. All rights reserved.

Tommy Kramer Tip #158 — Do things for the Right Reasons

The three reasons things are usually done:
(Air Talent) “It’ll be funny.”
(Program Director) “It’ll get ratings.”
(General Manager): “It’ll schmooze a client.”

These are not Strategies, they’re just aspirations. Let’s examine them…

Funny.
Something being “funny” is certainly not always a reality, and you can’t just use that crayon all the time anyway. I would just say, “Try to make the show fun,” and keep in mind who your listener is.

“It’ll get ratings.”
Even with all the latest tactics on affecting PPM (or now, Nielson), you really can’t predict what will “get ratings” except in terms of doing things every time you open the mic that are compelling to the LISTENER. And it goes deeper than that, because anything that seems calculated SOLELY to get ratings will ring HOLLOW with the Listener. You can use any tactic you want to, but unless what you’re doing is either Informative or Entertaining (or both), it won’t work.

“It’ll schmooze a client.”
This means nothing to the Listener, and maybe even works AGAINST the Talent if it’s perceived as “selling out”.

There are only two legitimate reasons to do anything on the air:
1. It’s Relevant to the listener.
2. It has a Benefit to the listener.

Those things will ALWAYS work. Tactics have their place, but believe me, if you do things for the right reasons—STRATEGIC reasons—winning becomes a byproduct.

Self-promotional afterthought: you can’t do it without great talent. If you’re a PD or GM, rather than getting caught up in a vicious circle of hiring, then firing, consider bringing in a coach to develop your talent.

– – – – – – –
Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2016 by Tommy Kramer. All rights reserved.

Tommy Kramer Tip #157 — An Additional Liability of Constantly Teasing

In the last tip, I dealt with the latest radio “incomplete thought” – constantly teasing something at the end of each break.

If you go back and read my tip on “The First Exit” (it’s #3 on my website), you’ll see that the most effective momentum device EVER is to get out at the first place a break “resolves”. You always leave ‘em wanting more, and you have great – and unpredictable – forward momentum.

Over the years (and I first wrote about this over 20 years ago), I’ve heard this misinterpreted in a lot of different ways, like…

“Get out at the first punch line.” (Not everything is funny. Sometimes there ISN”T a punch line.)

“Get out at the First Exit—but then say our names, or the name of the station, into the break.” (Really? You WANT your name or the station’s name right next to commercials? What do you think the listener associates you with then? The “First In, Last Out’ thing never worked, and it doesn’t work now, either.)

And then there’s our newest incarnation: “Take the First ‘out’, but then do a tease of what’s coming up.”
NO! This completely DESTROYS the First Exit. Taylor Swift doesn’t end a song by playing a few notes of the next song she’s going to do.

A show without SURPRISES is a show that’s not worth listening to. I don’t WANT to know everything you’re going to do ahead of time. In the last tip, I listed the four or five categories of things that are worth “promoting ahead” (not “teasing”—I can’t stand that word. When someone calls you a “tease”, that’s NOT a compliment).

I have to go away now. The large vein in my neck is really starting to throb.

– – – – – – –
Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2016 by Tommy Kramer. All rights reserved.

Tommy Kramer Tip #156 — The Tease Madness

Okay, it’s time to deal with the current thinking on teases, versus what actually works. Here are some excerpts from a couple of memos that real living, breathing Program Directors have given to their air talent recently…

“Eliminate as much as possible ‘I’ and ‘We’ and instead use ‘You’.”
Nothing wrong with that, until this PD illustrates just how to do it:

“You’ll be talking about our next story at work today.”
There’s no way you could possibly know what I’ll be talking about at work today (it could be, astonishingly, WORK related), and you need to STOP trying to tell the Listener what to think.

“You’re gonna love our new game, ‘Scratch and Sniff Audio’ in the next ten minutes.”
Again, you don’t know that I’m going to “love” it. My reaction (at least the one I can print) is “Meh…”…followed by a loud “click” as I punch another button on my radio.

“The thing most women do in the car that might be WORSE than texting and driving. You might be guilty of it, ladies, and we’ll find out in ten minutes.”
No, YOU may find out, but I don’t really give a crap. And I’m not “ladies.” Talk to ONE person. Don’t throw me into a “collective” that I didn’t ask to be part of. This destroys radio’s most unique strength – the one-on-one connection with the listener.

“Feeling smart today? The list of the Top 10 Smartest Cities is out.”
The answer to every question you ever ask on the air is either “NO” or “I don’t CARE.” And I already saw the list. EVERYBODY who cared already saw the list. It came up on the home page of every website, or on my iPhone – and it was ONLY THERE TO TAKE UP SPACE BETWEEN THE ADS.

“Would you like to take a break from parenting?”

(NO, I’d like to take a break from being asked rhetorical questions by an idiot who’s “pretending” to talk to me.)
“What the majority of parents are doing to get that break, in 7 minutes.”
This is too exact a time line. “In the next ten minutes” is what you want to say. ESPN tried this “Joe Namath interview in 13 minutes” type of thing – and it BOMBED. The whole PURPOSE of giving a Time Line in the first place is to tell me how long I have to listen to make SURE that I hear it. If I tune in (or stick around until) 7 minutes from now, you’d better by God be doing it. The minute you don’t, and I hear something ELSE when that’s supposed to be on, you’ve LIED to me – and I’ll never believe anything you say again.

Here’s what you can and should promote. (Notice that I don’t even USE the word “tease” in coaching.)
1 A contest. When I can win some money or concert tickets might actually matter to me.
2. A feature of the show. “The Hollywood Dish is next.”
3. When a guest will be on.
4. How I can find out more about a station event, or see video of something, or participate in something, on the station’s website or your Facebook page.
5. MAYBE…promote a new song by a core artist coming up. But even then, only do it when you’ve stopped down, NOT over another song, because then, the implied message is “since we know this song isn’t really very good, we’re going to try to get you to hang around by promoting a different one.”

That’s it. Nothing else is worth promoting.

Stop The Tease Madness.
If it matters to me (as a listener), it works. If it doesn’t (and just teasing some nebulous thing you’re going to talk about, like “What happened to Corkhead at the mall yesterday…in ten minutes” DOESN’T), then it doesn’t—and no amount of teasing will MAKE it matter. Other things should just come up naturally in the conversation – you know, like in real life.

Yes, I realize there’s a whole school of Programmers and Consultants that think otherwise, because of some sideways, momentary, imagined indicator in PPM. But don’t even get me started on how many holes there are in THAT methodology. Voltaire, the giant band-aid, anyone?

The biggest problem with the “always do a tease” mentality is that you remove any element of Surprise from the show. I seriously doubt if anyone would have gone to see “The Force Awakens” if a crawl came across the bottom of the screen, or one of the characters teased “Han Solo dies…in the next ten minutes.”

Here’s what actually works better than any attempt to manipulate the listener: say something really interesting or entertaining every single time you open the mic. And only promote things that he or she really cares about.

– – – – – – –
Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2016 by Tommy Kramer. All rights reserved.

Tommy Kramer Tip $155 — Don’t Try

Here’s something your boss will probably never tell you: Don’t try.

How this translates to what we do is that sounding like you’re “trying” can be felt on the other end of the radio, and it pushes people away.

It’s got to seem easy, spontaneous, like you just thought of it. When you attempt to “sell” something, you’re missing the whole point. We want to SWAY the listener, draw her or him a step closer, convince that person break-by-break, day-by-day, that listening to you is the most valid choice.

I’m not saying you shouldn’t give it your best effort. You should be conscious of making even the simplest, most mundane break you do be bright, tight, pro, and polished. But “trying” comes across as “trying too hard” – maybe even begging for attention or validation. That never works.

So have fun today…but don’t “try”.

– – – – – – –
Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2016 by Tommy Kramer. All rights reserved.

Tommy Kramer Tip #151 – All Morning People

Here’s how you build a great air staff, and keep them great over a long period of time, even with the natural ebb and flow of turnover:

Only hire people who could potentially do mornings. For EVERY daypart.

So many stations today are the morning show, then…everything else.
A lot of jocks doing nights or overnights (which, of course, might be a voice tracker nowadays) simply aren’t very dynamic or entertaining. Blah.

But PERSONALITIES should be in EVERY daypart.

Naturally, many of them won’t be fully hatched yet. But if you look for that spark, that “everybody at the party’s listening to this guy tell stories” ingredient, or someone who writes great copy, for instance, that’s a great starting place.

Because here’s the deal: people who DON’T have that Entertainment factor have a low ceiling on how good they can become.

Three centuries ago, I started in radio in my hometown doing all-nights. I wasn’t very good. But with a lot of mentoring, and the permission to try stuff AND permission to fail, three and a half years later, I moved from Shreveport to Dallas to begin the greatest adventure of my life. I wasn’t the best jock on that staff either, but that staff was all young bucks who would end up doing morning drive at some point in their careers. And we’re all in the Texas Radio Hall of Fame.

That can be YOUR staff, if you don’t just settle for a seat filler.

– – – – – – –
Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2016 by Tommy Kramer. All rights reserved.

Tommy Kramer Coaching Tip #145 – Einstein lesson

Albert Einstein said, “You can’t solve a problem by the same thinking that produced it.”

I wish everyone in radio – particularly Program Directors and General Managers – had that written on his or her desk.

You have to think through things with a “What if….?” mentality. What if a competing station changes to our format tomorrow? What if my morning show takes a job somewhere else?  What if our Imaging that we think is so great isn’t of any real Benefit to the listener? What if the only thing I can grab for lunch is the seven-year old Zagnut in the candy machine?

Thinking “what if?” is a good start toward warding off future problems, or coming up with a fresh idea.

Like “What if I ignored the PPM weeklies for just a moment, and tried something new just to see if it flies?” or What if I brought someone aboard to help my air talent get better, instead of just assuming that we don’t need it?”

I have a feeling that if Einstein were still alive today and listening to radio, he might say “It’s not just ‘think outside the box,’ it’s ‘throw the stupid box away.'”

– – – – – – –
Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2016 by Tommy Kramer. All rights reserved.